![]() ![]() One as a suffering husband and second his brand rom-com acts. Naga Chaitanya did well in two different shades. ANR has very less screen time and comes just before interval block. He is most handsome as Nageswara Rao and this is his best, dignified look in recent times. Obviously, he gets more screen time than the remaining two. On performance front, Nagarjuna is the central layer connecting the two generations. Production values of Akkineni Kutumbam are displayed with awe. ‘Manam’ is the best musical work from Anup Rubens both on main score and background wise. PS Vinod’s cinematography is a master piece work while Praveen Pudi’s editing missed the thin edge in second half with repetitive scenes. Harshavardhan dialogues arouse instant claps. There are no words to describe the unusually high quality screenplay of Vikram Kumar executed excellently by self with imposing performances of artists supported by rich visuals and stimulating background score. ‘Manam’ cruises smoothly on an intelligently written script from a complicated story involving Past Life Regression. There is no deep sentiment or no extended melodrama. Director Vikram Kumar’s balanced act of repeatedly wetting the eyes of patrons with sweet, cute and yet simple feel good episodes has done the trick. Any film which touches the hearts of our viewers with emotional element is a proper hit. Values of the Movie Manam: Emotional Connect is the typical formula to connect with our Indian audience. Rest is when did all four connect and comprehend completely in the climax which falls exactly on the same date of February 14? Yes, Chaitanya identifies these two as his lost mother and father, the story of which is shown as a long flashback. Twist comes in the form of one more character Chaitanya (ANR) escaping an accident narrowly saved by Doctor Anjali (Shriya) and Nageswara Rao. Now, the job of Nag is to unite his father and mother again in this new life. Immediately Nageswara Rao traces Krishna in the form of Priya (Samanta). When Radha is re-born as Nag, definitely Krishna is also somewhere. One fine day, Radha finds Nagarjuna (Naga Chaitanya) on a flight resembling exactly Radha. Nageswara grows into a successful businessman (Nagarjuna) but could not forget the memories of parents. Their six year old son Bittu aka Nageswara Rao is the sufferer and soon, Radha, Krishna terminate in a deadly accident on February 14. In the Movie Manam: Story begins in 1983 with introduction to Radha (Naga Chaitanya), Krishna (Samanta) as a beautiful couple whose married life is disturbed for those regular reasons. Let us see, how far the warmth of missing ANR is sensed in the film. Along with Late ANR’s last movie, Anup Ruben’s Music, Vikram Kumar’s style of taking, Akkineni multi star etc the film arrived in theatres today. ![]() Behind the Movie Manam: There are quite many valid reasons to see this film from a different perspective. ![]()
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